Jump to content

Source Filmmaker

Sign in to follow this  

Recommended Posts

Why hasn't this thread been made yet? Anyway, I've been finding some good ones that aren't Meet the Heavy crap. Here's one that I enjoyed:

TVkbV2XCofE

 

Also, there's a guy whose YouTube prof is underage117. He makes some really good stuff. Here's one of them:

ZAy-sCPEc8A

Life is just a time trial; it's all about how many happy points you can earn in a set period of time

Share this post


Link to post

Yea, Eedo Baba's told me it's a bit tricky to figure out the complicated stuff like lighting techniques and smooth animations, but the basics aren't too hard to get.

Life is just a time trial; it's all about how many happy points you can earn in a set period of time

Share this post


Link to post

Well, the way I see it, that's just an announcement thread. This is about the actual software itself. But whatever. It would probably get more attention in the Valve subforum.

Life is just a time trial; it's all about how many happy points you can earn in a set period of time

Share this post


Link to post
The SFM seems very user friendly to me. Note that if you're going for true quality, it's a very slow process, but hey, that's animation.
Well I guess my point is, I like to be as efficient as I can about animation. Yes, good animation you have to do a lot of stuff step by step and there's no way around that. However once you've done a certain amount of work, if you have good software, you can automate and take shortcuts on a good chunk too. I think SFM takes some of that away and you have more lost time compared to doing animation in 3rd party software like softimage + an engine that supports more animation features.

 

And yeah, the 1080 problem seems to have been fixed.

 

Also it turns out shadows on added objects to your map (including characters not from the player recorder) don't work unless the light source is dynamic. So that means if your character is standing out in broad daylight, he's not going to be casting a shadow. You can even see this in the tutorial videos where the guy adds the pyro and wheelbarrow.

 

Also after spending some time with it, it seems like it is DEFINITELY less capable than Faceposer for gesture manipulation as well.

 

I'm almost ready to declare SFM a bizarre yin-yang against the Source SDK. Does the Source SDK do some things poorly? SFM does a great job of that! Is the Source SDK good for other things? SFM is missing those options entirely! Right now I think about the only thing they're equally good at is facial manipulation.

Share this post


Link to post

A fair point, I think leaving the threads as they are would be fine. :)

Feel free to PM me about almost anything and I'll do my best to answer. :)

 

"Beware of what you ask for, for it may come to pass..."

Share this post


Link to post

Holy Crap, I just influenced the opinion of a mod. I think that makes me a demigod. Woot.

Life is just a time trial; it's all about how many happy points you can earn in a set period of time

Share this post


Link to post

To make an additional point on my sound issue, it's not actually all sounds getting stopped as I previously thought; it actually appears that the Pyro's flamethrower sound doesn't seem to loop properly. I made a video of the issue:

Feel free to PM me about almost anything and I'll do my best to answer. :)

 

"Beware of what you ask for, for it may come to pass..."

Share this post


Link to post
Holy Crap, I just influenced the opinion of a mod. I think that makes me a demigod. Woot.

 

Then again, as Ross just posted in the other thread, it's no longer dead, so I'll merge them both. ;P

 

In addition as it's really for the creation of Machinima, it should probably be in the Machinima section anyway.

Feel free to PM me about almost anything and I'll do my best to answer. :)

 

"Beware of what you ask for, for it may come to pass..."

Share this post


Link to post

Kinect MoCap seems to be an alternative for most of the animations issues:

7RYeKYj4vEY

The future of gaming lies in realistic simulations of extraordinary realities

 

"I am drunk, you dont have an excuse"

Share this post


Link to post

I'm impressed by what people have done with it so far. Seems like a really good tool for upstarting animators. It sure beats the crap out of GMod anyway, which I never liked because nobody made anything worthwhile with it, people just jumped on the bandwagon to make crappy youtube videos with it.

Game developments at http://nukedprotons.blogspot.com

Check out my music at http://technomancer.bandcamp.com

Share this post


Link to post
It sure beats the crap out of GMod anyway, which I never liked because nobody made anything worthwhile with it, people just jumped on the bandwagon to make crappy youtube videos with it.

 

Well, the War of the Servers was done with it, also PixelEyes used it for Shell Life, and Xanatos. Not saying that it's better for filmmaking at all, but to give GMod justice, it was used not only for crap ragdolls posing clips (although some of them were pretty hilarious) :-)

 

Regards

Share this post


Link to post

Good stuff created with GMOD: War of the Servers, Combine Nation, Maintenance Man.

 

For Source: Filmmaker, it does seem like a good choice. Once you figure out how to do things. Minimal difficulty for someone who's used regular animation tools before. Although it IS a shame they don't have a "Save" function for animation, or support for the rest of the Source Engine stuff. (All has to be downloaded or converted)

 

Although as shown, work can possibly be minimized with motion capture via Kinect, this is not a new concept, I've seen a crude version on the GMOD website.

Share this post


Link to post

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in the community.

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
Sign in to follow this  


×
×
  • Create New...

This website uses cookies, as do most websites since the 90s. By using this site, you consent to cookies. We have to say this or we get in trouble. Learn more.